![]() photo Richard-Max Tremblay / Musée d'art contemporain de Montréal |
5-channel video installation, colour, stereo sound (in English with English subtitles), 98', 2004-08
In cities which have been through a war or a disaster recently, or which are known to be dangerous, a professional tourist guide is hired and asked to organize a guided tour - which is filmed - of the worst destructions, or the most dangerous zones in the city. war tourist wants to see, up close, the chaos and pain of others. He travels the world in search of ever-stronger sensations. His curiosity also acts to keep these events at a distance. He travels to assure himself that all this destruction and pain are well and truly somewhere else and that they don’t threaten him at home. The guide’s talk brings two views of the place face to face: the local view and the outside view. In the relationship between the guide and War Tourist, these two views meet through an arrangement identical to that of a supplier filling a customer’s order. The guide shows the tourist what the tourist wants to see, even if it means inventing an idealized, picturesque version of reality. He expresses himself in English—the language of tourism—and, even though they are wholly intelligible, his words are subtitled and slightly altered, in that same language. This detail denotes the tourist-viewer’s sense of superiority and reinforces the idea that the guide is indeed the Other: never perfectly clear or comprehensible. To watch the videos
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War Tourist in Sarajevo, 19'
46''
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War Tourist in the
Suburbs of Paris, 19' 42''
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War Tourist in New
Orleans, 18'34''
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War Tourist in Chernobyl, 19'
57''
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War Tourist in Auschwitz,
19' 49''
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Realized with the support of Conseil des arts et des lettres du Québec Association Arrimages
bibliography interview with david norr, elsewhere catalogue, usf contemporary art museum, tampa, fl, 2007 City Sharing, War Tourist in the Suburbs of Paris, Juin 2007 MARTI-JUFRESA, Felip, "War Tourist in Chernobyl", Etc, no.81, Montréal, mars-mai 2008 MALAGUTI, Raffaella, "Turisti di guerra a Montreal", Alias, supplemento de Il Manifesto, Roma, 30 Agosto 2008 HORNE, Stephen, "The Québec Triennial", Border Crossings, Winnipeg, no. 107, sept. 2008 REBIERE, Nicolas, "Ville sans vie", Sud Ouest, Villeneuve sur Lot, 23 sept. 2008 GODFREYI, Dominique, "Images piégées", Sud Ouest, Bordeaux, 14 sept. 2008 REBIERE, Nicolas, "Des émeutes plus vraies que nature", Sud Ouest, Villeneuve sur Lot, 6 sept. 2008 HOWELL, Steven, Press Republican, Plattsburgh, May 30, 2008 Nothing is Lost, Nothing is Created, Everything is Transformed, Québec Triennial, Exhibition catalogue, Museum of Contemporary Art, Montreal,texts by Mark Lanctot, Josée Bélisle, Paulette Gagnon, Pierre Landry, Montreal, 2008 Musée d'art contemporain de Montréal, "Entrevue avec Emanuel Licha", may 2008 artv, mange ta ville, "danger", november 2008 Arning, Bill, "Biennials and survey shows", Frieze, London, no. 120, Jan. 2009 Debatty, Régine, "Emanuel Licha's War Tourist series at LOOP", we-make-money-not-art.com, june 1, 2009
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